licensed from synewave 1992.. excellent freaky hypno acid

oliver dodd continues his dance floor assault with a fantastic ep of minimalistic acid tech house. limited on surprise colored vinyl.

back in stock.. excellent deep filtered techhouse to deep house.. sub division of pure plastic

dirty and acid infected electro madness

side a brings the original sound of chicago acid sharply back into focus, subtly reusing the elements that made those records so special whilst bringing the sound up to date with modern production techniques and banging drums whilst maintaining the wigged out alien sounds of the time- for fans of everyone from todd n tadd to eddie fowlkes to sleep archive. the flip side brings a truly amazing track from rei loci again- playing with all manner of spaced out fx laden elements, and underpinned by the subtle interplay between machines- dreamlike, deep, intense and epic in all the right sense of those words this track sees rei moving into a more mature and complete phase in his production

munich based newcomer bostro pesepeo made his first appearance on the second permanent vacation compilation. this is his first proper ep – including a funky acid house remix by nycs hottest, hercules and love affair.

famous for their releases at moon harbour recordings, luna city express presents a really tough techhouse-release. a classic feeling combined with modern sample arts and scruffy piano riffs. the only question is: dancing on clouds? yes, take this

koyla, mastermind of russian composer and producer nickolai serbryakov, rips into the electronic scene with his slickly produced acid jazz style sound. the 25 year old producer from st. petersburg drops his first single on bombay&#146,s subdivision manali records &#147,bowel&#148,, a solid deep soulful disco groove. the b side is an in house mix that brings us into a late night bumping funky direction with ambient tripped out textures and hard detroit style chords. koyla and dj primat are true musicians and deserve the fullest respect in this genre, stay tuned for these boys with singles and albums to follow.

proggy infected electro acid house

played by jesse rose, incl, monster-remix by frankie !! well, it might be frozen up north, but that doesn’t stop jussi-pekka to keep the jackers coming! our man from nokia has a long list of releases, and his first release for floppy funk is another cracker. >regression< is a magic old school slightly acid house track. >depression< is more modern and techno, keeping a deep edge. the >regression< remix courtesy of frankie (the man who keeps jackin and freakin with his franke label) is another fine crazy tune to go nuts!

ein bischen ruhig ist es in letzter zeit um richard bartz aka acid scout geworden. doch lieber eine kreative pause einlegen, als uninspiriertes zeug abzuspulen. sein erster beitrag zur speicher serie lässt jedenfalls nichts zu wünschen übrig. diamond girl zeigt richard bartz in bester discohouse-laune. langeweile klingt anders, das hier ist das pralle leben. tip

djax up beats special including edge of motion, dj rush and acid phreex with true classics you need to have

coole geldbörse .. with funny acid smiley print

coole geldbörse .. with funny acid smiley print

without a doubt, chicago native huge hephner has garnered quite the reputation as an international playboy - pimpin and whorin his way into the electronic music worlds stream of consciousness. however, behind the tough guy persona is a highly underrated producer with an unbridled passion for music and love of the analog gear he uses to produce such increasingly in-demand sounds. it is this perversion that lends meaning to the title of his debut album, nymphotech, released on none other than the label that helped launch his career, siteholder records. unflinching in its house vibe, yet relentless in its dance floor attack, nymphotech is a highly impressive debut album by a producer who continues to up his game with each successive release. hephner kicks off part one of a two-part vinyl album sampler with the chugging acid burner sharing the same title as the album. nothing less than 4 a.m. packed club material, to play nympotech at any other time would be a failure to recognize this bombs full potential. jack n coke is undoubtedly huges nod to his hometowns house legacy, showcasing a flirtatious bass line that screams funk in all caps. wheres the acid? fans of hephner might ask. leave that up to freaky $ean da don, featuring the vocal debut of huges body guard and reputed hitman who bears the same name as the tracks title. if nymphotech is any indication of whats to come from mr. hephner, we can only hope huge will manage to stay out of jail long enough to produce a follow-up

nice price deal !!! classic 12inch vinyl sampler... the glorious 90s... from tribal, acid house to progressive... 3 classic cuts on on one 12inch

after his successful first release on wavetec, entitled >deep joy ep<, madrid-based producer tony lionni (also on versatile, mulemusiq) returns with a much-anticipated new ep, >mamadu<. this album brilliantly demonstrates lionni s musical production talent ranging from techno, dub, to progressive, acid and deep tech-house. the title >mamadu< is a sure reference to the warm, melodic techno inspired by afro rhythms that are layered over the abstract electronic tunes and minimalistic soundscapes on this ep. the title track evolves into a fast-paced atmospheric techno journey, while >deep odyssey< merges haunting deep-house rhythms with a dubbier flavor more in the vein of the deep space-sound developed by francois k

office gossip is the imaginary workday daydream of up-and-coming uk midlands producer nathan brody. nathan just recently offered a stonking remix of schmoov’s >spirits< ( road 004 ) which has been given the stamp of approval by dj’s like tom middleton or miguel migs and many more. >blue on black< is a meaty tech-disco track with a basslline which instantly clicks. on the b-side mantis recordings’ atjazz tunrs the track inside out and gazes at it’s underbelly. the result is a chunky acid house workout with all the trimmings and quality used from atjazz. as an extra treat he also handed in a pure acid house dub. dirty stuff!

excellent groovy and funky techhouse , plus one acid track in a pure wink stylee (nosebonker)

jason emsley aus kalifornien mit seinem nächsten fang auf platzhirsch... circle jack ist ein acid infected track der modernsten art... bluffer ist dann doch mehr die emotionale seite dieser platzhirsch!! wieder top !!

special green coloured vinyl !! frankie serves us a raw and dirty chicago and acid infected ep to create a unique party flavour... cool , raw and dirty... decks tip

bombtraxx comes again with an amazing acid infected breaks monster two tracker incl headphonics remix

strong release from redwan…it sounds acid, minimal, old school and modern in the same time… defenitly well done by the boss of the imprint. more a huge peaktime dancefloor killer by sarah goldfarb and his friend sam & dave & lowran (stir/unfoundsound)

finest techno with electro and acid influences from 2001 produced by oliver bondzio and ramon zenker aka hardfloor.. ltd backstock

with the electronic justice 12inch, james t. cotton and d_marc cantu saw off another thick slab of classic chicago acid. opener >1mg< is a relentless teutonic grind, tightly constructed yet engraved with enough subversive tweaks to hint at the most experimental urges of james t. cotton_s other persona, tadd mullinix. >werkin house< and >static vision< follow close behind with the brooding squelch of a 303. and if these take us deep inside the darkest warehouse, then the title track reveals the inner depths of the artists themselves. >electronic justice< may well be 2am/fm_s manifesto, a rolling vocal creeper whose laser-beam pulses ebb and flow around a synthesized mantra: >experimental vision/ this is us, who we are/ this is our religion.< fitting words to chant, shout, or whisper in the flicker of a strobe at 2am, after all..

ltd backstock.. acid and tribal infected techno

rmxs by holy ghost!, clouded vision, von party & brad lamborghini + all that i need is to be loved (dub) heavyweight second part of the killer moby double pack. supported by everyone and massively promoted world wide !

when sonic pioneers collide in an ideal setup within club culture dynamics, they do not just produce dents on the floor, but in fact amalgamate in a pliant way to stretch the space-time continuum by means of enrichment through sound. and knowledge. were we have such a mighty hook up: gerald simpson is known to be an innovator of electronic dance music. starting with manchester-based 808 state in 1988, sparking the fire of voodoo ray acid soul, measuring the black secret technology jungle, finding the essence of song based dance via new york city, he continues pushing evolutionary music processes since taking up residence in berlin. now he joins forces with the perlon visionary community of unfathomable deepness and unrivalled sound design always leaving room for novelty, scientific curiosity and blasting mind frames

great minimal & detroitish bouncy release from frankie vega incl remixes by jason patrick, woody mcbride & drumcell !! far from 8mm, vhs and especially beta blueline projects a bouncy sound assortment of acidhouse minimal, detroit techno and ghetto tech. chicago based frankie vegas video bounce is a projection of throbbing bass, twisted keys, explosions of reverb, delay and sharp drums that altogether make up 1 party track undeniably fun to rumble through the speakers

delivering top quality dancefloor reworks cut for better quality and maximum disco use, on this first 12inch of the series is a killer disco rework, an instrumental edit of don rays 1978 cut standing in the rain, plus on the flip some old school acid house, a re edit of the classic 87 adonis production jack frost and the circle jerks shout

excellent timeless melodic minimal electro / acid techno !!

les petits pilous are back with 3 new tracks on bnr. after remixes for justice and chromeo the 2 wild boys continue their peak time techno. >wake up< is a sure shot to destroy any club or festival with a long break that drive people mad even if they hear it for the first time. on the flip you get the hammer >housi< and the acid influenced raver >going techno< bam!

torontos stuart li, aka basic soul unit (best known for heavy hitting releases on versatile and mule electronic) delivers for chicagos very own mathematics imprint. this is finely-crafted detroit-style programming with a little acid thrown in for good measure.

breakin boss ed dmx supplies six tracks of freaked-out modular synth madness mangled through the macintosh into some weird high-velocity electrofunk. edmx is eds alias for the more hard and fast stuff, these tracks are experimental but with lots of sub-bass and high tempo beats with unusual grooves. edmx can be seen performing around the world, recently played in japan with breakin artists ceephax acid crew and also appeared this year at the bang face weekender, the bloc weekend party and will continue to play out globally throughout the summer

neil solé, one of the biggest media djs in spain, thanks to his tv appearances, his radio shows on the most popular spanish radio stations and his gigs across the country, rocks out his new release on irresistible records. he is an artist with 15 years of experience inside the spanish dance music industry and this is reflected in this latest release which is dedicated to his baby romeo. romeo is coming(itb008) is an original track with an electro-house & tech flavour. the acid sounds stand out as does the romeo is comingvocal sampler announcing romeo s birth. as the track builds, it raises the intensity until the breakdown, then drops the track perfectly to destroy the dance floor. david amo & julio navas, irresistible managers, remixing the track with their own original style, achieve a classy, approachable & non-obvious tech-house piece, fine for the dance floor.

first up on the a side is the bouncy sound of boogie down, co produced with he of liquid v fame ? dj mosus. with its hip hop flavour, acid overtones, squelchy leadlines and rumbling bass this is a track aimed straight at the dancefloor without compromising on integrity...boogie on down yo!

mri first came to prominence in 2000 with the release of the ground breaking rhythmogenesis on forcetracks and his acclaimed mille plateaux productions. due to the massive reaction drawn from the contribution on the latest 12, take kare not acid, mri returns back to the resopal imprint with two new tracks to redesign the past and further the future. title track bateau is a banging builder that is reminiscent of the current house flavored tracks but resonates the touch of classiness and depth of mid 90s reduced techno arrangements. decayed bassdrum, pad, chords and a break - distinctly marked with modern hyper percussive tendencies, based in between house and techno soundscapes this a-side is a pure bomb. the flipside ivre by all means reaching the dancefloors of today. cascading rhythms build subtly behind the fuelled drive of bass, and druggy vocals fully defined by mris signature formula. all in all, bateau ivre tunes up in fresh formula towards techy driven reduced microhouse, bring through a soothing and completely refreshing 12that will be sure to please old and new fans alike. ltd. stock

knock knock, bang bang! minimal neo tech drama is just kicking your doors off! 5.4,3.2,1 action! our hommie jurek przezdziecki from warsaw, (poland) - is making his debut on boshke beats records and you better watch it, feel it and be into it! (we will not give you here a death threat ,but we were close to-please admit it) 10 years of producing under the different projects like big wigs, epi centrum and mass turbo! and lately you could taste of his sound on recently released maxis on whirlpoolsex, bretzel, jacek sienkiewiczs recognition and living records and here is his first boshke debut. we highly suggest to watch this interesting producer closer! he manages to seamlessly lead us through his special and unique fusion between minimal techno and neo trance, dressed with his unique sonic synthesises and topped with a top class sound production. on the b-side is a contemporary re-work of the sink master by maestro robert babicz (aka rob acid), speiced with the dancefloor power and a big roberts character this remix destined for all the modern contemproary djs on the planet earth!.

crafty modern acidic techno incl. >nervous acid< cover version

original chicago acid house from 1987 from the man who gave you phuture >acid trax<, and too many others. this release features all the tracks from the original pressing and includes the very sought after >acid mix<, and the acapella that has not appeared on any reissues.

ultradry minimal house combined with a plastic body. a little bit of acid dripped over it. for sure displaying some serious chicago influences of the guys... big with: claude vonstroke & laurent garnier,..!! for lovers of richie hawtin, riacrdo villalobos, magda, loco dice, huntemann,.

rmx by oxia! >prime time< is the new project championed by oxia. it includes jeremy carrasco and johan speissegger both involved in the underground techno scene since the 90 s, creating their sound from their lab/studio in the suburbs of paris.

definitive acid techno from the uk..

>fables and fairytales< is a deep, dark and aggressive cut of acid house from toronto-based producer murr, featuring the voice of rosina. with a vocal chorus that begs a closer listen - to the kind of bassline you’ll be humming hours after the club, this piece of lfo tech-funk brings adonis, kate bush and pal joey into the same room and melts them into one shining pitch black gem. a perfect anthem for a jamming summer night. on the b side, adam marshall stretches the loops and dubs the jazz deep into acidic house and dark techno territory.

no matter what, an artistic work most likely results in the amalgamation of a whole bunch of different parameters such as what, where and how a creator may live at a specific period of his/her life... this being for much on the undeniable dimension taken by music on our existences and of course jays one... a man who, in addition to his numerous bookings, does currently like 24/7-ing production wise with this 3 tracker obviously conceived in the very depth of the nite...rubber face sounds as of those unlikely early morning deep bleeping dives into some wakin up city life. whereas deepen your mind seems like a never ending abstract frenetic journey to the heart of synthetized phonk melted with a drop of acid house inherited fx...dancers vibes€,¯bring us into the deep territory with some hammond style keys and tough brooklyn beats.

since the year 2000, belfastian dj and producer phil kieran is providing us with a constant flow of outstanding records and remixes – among them for novamute and soma – with his energetic sound from the capital of northern ireland. not least has he gotten awareness with his alloy mental project on fatboy slims label skint. his new maxi for cocoon designs two blueprints of uncompromising techno between tradition and modernity. whereas the post-acid sounding a side can be indeed called >wasps under a toy boat<, displaying ongoing >wasp sounds< which are shifted against each other, the break- and bass-orientated b side >tartan paint< sets new standards regarding the sound abstraction beyond popular expectational attitudes. and thus stays a highly functional dj weapon for intelligent techno bashes.

legendz records is the normal follow up of famous legendz parties which started in belgium three years ago . for their first release, they decided to invite two belgian producers from two different musical horizons and see how it goes . kolombo is famous for his electro house style with releases on king kong, turbo, systematic, karate, his own vice versa or loulou records. sierra sam is more into the minimal world with music on trapez ltd., einmaleins, his own toys for boys and soon contexterrior the two friends decided to mix their skills on three tracks: alive is based on a fat synth line and rolling bleepy percussions, articulated around a vocal sample. extra voices takes another vocal sample , but adds it a more acid synth line and some more percussive drum soundsscreaming lord is a more aggressive track with more noises and fast percussion lines..

new artists on bombay, chicagos j & j soultempo come with a strong gospel influenced late night slammer for the dance floor. featuring the vocals of the renowned terry moore combined with the soulful chicago acid house production of j & j soultempo, this release has an real early nineties murky deep house sound with modern production. jason ferguson jaycee and jere mcalllister are emerging from a strong community of the new generation of producers and musicians based in chicago that will be turning heads in the house scene. some kinda good agrees with the new york vibey heads as well as the chicago and detroit kids the tune defines house as going back to just one category and one community.

clubbing detroitish & acid influneced techno !!